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(1999), p.73
^ Husslein, Uwe (1990). Pop goes art: Andy Warhol & Velvet Underground. Wuppertal. OCLC 165575494. [page needed]
^ Tinkcom, Matthew (2002). Working like a homosexual: camp, capital, and cinema. Durham, North Carolina: Duke University Press. ISBN 0-8223-2862-3. OCLC 48098591. [page needed]
^ Surez, Juan Antonio (1996). Bike boys, drag queens & superstars: avant-garde, mass culture, and gay identities in the 1960s underground cinema. Bloomington, Indiana: Indiana University Press. ISBN 0-253-32971-X. OCLC 32548890. [page needed]
^ Bego, Mark (2001). Aretha Franklin: The Queen of Soul. Da Capo Press. p. 250. ISBN 0306809354. OCLC 46488152. http://books.google.com/books?id=ErKigdCXUwoC&pg=PA250&lpg=PA250&dq=warhol+album+cover+1986&source=bl&ots=6d-VHAN0LB&sig=zI_LeQmhKl9hs3EFjoz-Fz_JIho&hl=en&ei=SLXPSbvRCtfslQfLsq3qCQ&sa=X&oi=book_result&resnum=4&ct=result. Retrieved 2009-03-29.
^ Russell, John (1987-12-06). “Art”. The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9B0DE7DF133DF935A35751C1A961948260. Retrieved 2009-01-05.
^ May 3, 2006 auction at Doyle New York retrieved August 14, 2006
^ Colacello, Bob (1990), p.183
^ Colacello, Bob (1990), pp.22-23
^ Bourdon, David (1989). Warhol. New York City: Harry N. Abrams. p. 51. ISBN 0-8109-1761-0. OCLC 19389231.
^ Staff of The Andy Warhol Museum (2004). Andy Warhol: 365 Takes. New York City: Harry N. Abrams. p. 35. ISBN 0-500-23814-6. OCLC 56117613.
^ Bourdon, David (1989). Warhol. New York City: Harry N. Abrams. p. 231. ISBN 0-8109-1761-0. OCLC 19389231.
^ Staff of The Andy Warhol Museum (2004). Andy Warhol: 365 Takes. New York City: Harry N. Abrams. p. 157. ISBN 0-500-23814-6. OCLC 56117613.
^ Ferguson, Michael (2005). “Underground Sundae”. http://www.joedallesandro.com/sundae.htm. Retrieved 2009-01-06.
^ Bourdon, David (1989). Warhol. New York City: Harry N. Abrams. pp. 221225. ISBN 0-8109-1761-0. OCLC 19389231.
^ [http://design.osu.edu/carlson/history/PDFs/amiga-ieeespectrum.pdf “Amiga: The Computer That Wouldn Die”]. 2001. http://design.osu.edu/carlson/history/PDFs/amiga-ieeespectrum.pdf. Retrieved 2010-01-31.
^ Lommel, Ulli (director). Cocaine Cowboys
^ Hickenlooper, George (director). Factory Girl
^ Sant, Gus Van (2000). My Own Private Idaho. London: Faber and Faber. ISBN 0-571-20259-4. OCLC 247737051. [page needed]
^ TLA Releasing (2004-03-09). “TLA Releasing Unveils the past of Famed Artist Andy Warhol to Reveal a Story Few Ever Imagined in: Absolut Warhola” (PDF). Press release. http://www.tlavideo.com/images/assets/97.pdf. Retrieved 2009-01-09.
^ Holden, Stephen (2006-09-01). “A Portrait of the Artist as a Visionary, a Voyeur and a Brand-Name Star”. The New York Times. http://movies.nytimes.com/2006/09/01/movies/01warh.html. Retrieved 2009-01-09.
Further reading
“A symposium on Pop Art”. Arts Magazine, April 1963, pp. 3645. The symposium was held in 1962, at The Museum of Modern Art, and published in this issue the following year.
Bockris, Victor (1997). Warhol: The Biography. New York: Da Capo Press. ISBN 030681272X.
Colacello, Bob (1990). Holy Terror: Andy Warhol Close Up. New York: HarperCollins. ISBN 0-06-016419-0.
Dillenberger, Jane D. (2001). The Religious Art of Andy Warhol. New York City: Continuum International Publishing Group. ISBN 0-8264-1334-X. http://books.google.com/books?id=KemglT-1jSIC.
Doyle, Jennifer, Jonathan Flatley, and Jos Esteban Muoz eds. (1996). Pop Out: Queer Warhol. Durham: Duke University Press.
Garrels, Gary (1989). The Work of Andy Warhol: Discussions in Contemporary Culture, no. 3.. Beacon NY: Dia Art Foundation.
Guiles, Fred Lawrence (1989). Loner at the Ball: The Life of Andy Warhol. New York: Bantam. ISBN 0593015401.
James, James, “Andy Warhol: The Producer as Author”, in Allegories of Cinema: American Film in the Sixties (1989), pp. 5884. Princeton: Princeton University Press.
Koestenbaum, Wayne (2003). Andy Warhol. New York: Penguin. ISBN 0670030007.
Krauss, Rosalind E. “Warhol’s Abstract Spectacle”. In Abstraction, Gesture, Ecriture: Paintings from the Daros